I was too buried in Kickstarter promotion and website building to signal boost this when it happened, so apologies for the lateness. Podcastle has posted an audio adaption of Kennenth Schneyer‘s much-praised short story “Selected Program Notes From the Retrospective Exhibition of Theresa Rosenberg Latimer” from the pages of Clockwork Phoenix 4. Here’s the teaser they offered up:
34. Magda #4 (1989)
Oil on poplar wood, 30 x 21″
Sometimes called “Devotion” by critics, this nude the earliest extant work featuring Magda Ridley Meszaros (1963-2023), Latimer’s favorite model and later her wife. The lushness of the flesh and the rosiness of the skin are reminiscent of Renoir’s paintings of Aline Charigot (See, e.g., The Large Bathers (1887) (Fig. 8)). Latimer maintains microscopic hyperrealism even as she employs radiating brushstrokes which emanate from the model, as if Meszaros is the source of reality itself.
a. The materials and dimensions of this painting duplicate those of Da Vinci’s La Gioconda (c. 1503-1519) (Fig. 17). Is this merely a compositional joke or homage by Latimer? How does it change the way you see the painting?
b. Most biographers agree that Latimer and Meszaros were already lovers by the time this work was completed. Is this apparent from the composition or technique? From the pose of the model? As you proceed through the exhibit, note similarities and differences between this and other portrayals of Meszaros over the next 34 years.
Click here to have a listen. #SFWApro
Originally published at DESCENT INTO LIGHT. You can comment here or there.