So I have my final Readercon schedule and it's pretty awesome (I am going to be one busy, busy tiger) though it doesn't cover things like the dual-book party Anita and I will throw to celebrate the launch of Bone Swans by C.S.E. Cooney and my Shirley Jackson Award nomination for Unseaming. And we'll be doing even more stuff, I'm sure! But check it out, what's there is already plenty enough to keep me on the go:
Friday July 11
4:00 PM CO Stop, Collaborate, and Listen. Mike Allen, C.S.E. Cooney (leader), Eileen Gunn, Malinda Lo, Michael Swanwick. The speculative community is full of collaboration: writers who write a story together, musicians who work with writers to create incredible performances and multimedia experiences, artists who work with writers both to illustrate and to create original works. Our panelists will discuss their experiences with the benefits and challenges of collaboration. How many people can collaborate on a project before it becomes unwieldy? How do methods of communication, issues of dividing payment, and other practical considerations influence collaborative artistry?
8:00 PM E Autographs. Mike Allen, Cecilia Tan.
Saturday July 12
10:00 AM F Successfully Writing About Horrible Things. Mike Allen, Catt Kingsgrave, Kate Nepveu (leader), Mary Rickert, Patty Templeton. If you're not writing horror but your plot calls for something horrific to happen to a character, how do you handle it? You might go overboard and be detailed to the point of undermining or derailing the narrative, or might be so vague that the horrific event has little effect on the reader or the story. A reader who's been through a similar experience might be offended or distressed by a description of awfulness that's lurid, gratuitous, clichéd, or bland. What strategies can writers use to help readers empathize with the characters' suffering and build stories that respectfully handle the consequences of terrible events, without falling into these traps?
2:00 PM IN Speculative Poetry Open Mic. Mike Allen (leader). Speculative poetry covers a broad range of forms and topics. Creators and fans of speculative poetry are invited to come to this open mic and perform their favorite works. Sign up at the info desk.
3:00 PM ENL Interstitial Arts Foundation Town Hall. Mike Allen, Tempest Bradford, Sarah Smith, Emily Wagner. The IAF is a group of "Artists Without Borders" who celebrate art that is made in the interstices between genres and categories. It is art that flourishes in the borderlands between different disciplines, mediums, and cultures. The IAF provides border-crossing artists and art scholars a forum and a focus for their efforts. Rather than creating a new genre with new borders, they support the free movement of artists across the borders of their choice. They support the development of a new vocabulary with which to view and critique border-crossing works, and they celebrate the large community of interstitial artists working in North America and around the world. The annual Interstitial Arts Foundation Town Meeting at Readercon is an exciting opportunity to catch up with the IAF and its many supporters, hear about what they're doing to support the interstitial art community in 2015, offer ideas for future projects, and contribute your voice to the development of interstitial art.
Sunday July 13
10:00 AM CO Ghostbusting Lovecraft. Mike Allen, Gemma Files, John Langan, Adam Lipkin, James Morrow. In Max Gladstone's blog post "Ghostbusting Lovecraft," he writes: "Ghostbusters is obviously taking the piss out of horror in general. But while the busters’ typical enemies are ghosts of the Poltergeist persuasion, the Big Bad of the movie, a formless alien god from Before Time summoned by a mad cultist–cum–art deco architect, is basically Lovecraftian." Unlike typical Lovecraftian protagonists, however, the Ghostbusters prevail over the eldritch horrors by exploiting the power structures and emotional connections that exist between people. Is the Ghostbusters story arc an alternative to the standard horror tropes, one that replaces fear with humor, defiance, and camaraderie? How else does it subvert our expectations of the conflict between humans and horrors?
11:00 AM F The Shirley Jackson Awards. Mike Allen, John Chu, Ellen Datlow, Daryl Gregory, Nicola Griffith, Gary K. Wolfe. In recognition of the legacy of Shirley Jackson's writing, and with permission of the author's estate, the Shirley Jackson Awards have been established for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic. Jackson (1916–1965) wrote classic novels such as The Haunting of Hill House and We Have Always Lived in the Castle, as well as one of the most famous short stories in the English language, "The Lottery." Her work continues to be a major influence on writers of every kind of fiction, from the most traditional genre offerings to the most innovative literary work. The awards given in her name have been voted upon by a jury of professional writers, editors, critics, and academics, with input from a Board of Advisors, for the best work published in the calendar year of 2014 in the following categories: Novel, Novella, Novelette, Short Story, Single-Author Collection, and Edited Anthology.
12:00 PM EM Reading: Mike Allen. Mike Allen. Mike Allen reads selections from his Shirley Jackson Award-nominated story collection Unseaming.