I have been deep, deep, deep in the wilderness of Kickstarter campaign/submission reading land as bits and bobs related to my own writings have popped up over the last couple of months. This is my attempt to assemble them in a more tangible form than happy blurts on Twitter.
Over Halloween weekend, horror podcasters Pseudopod posted a trio of aural horrors that included an audio adaption of my killer fractal story "Monster." You can check it out here.
My contributor's copy of the horror poetry journal Spectral Realms arrived, contain "Toujours Il Coûte Trop Cher," an epic poem I co-wrote with C.S.E. Cooney that imagines a final conversation between martyr Joan of Arc and condemned child murderer Gilles de Rais (who, as it happens, knew each other IRL.)
I'm grateful to S.T. Joshi for giving these poor doomed souls a final rest, if not a peaceful one. You can get a copy of your own here.
In the meantime, Mitchell Hart's poetry zine Through the Gate has published a brand spelunking new, hot-from-the-oven poem from me, "Dormant," a sort of golem-ic fever dream. You can read it here.
I'm also proud to be able to announce two new short story sales.
Scott Andrews of Beneath Ceaseless Skies has purchased my dark fantasy "Longsleeves," a companion piece to my first horror-fantasy story to appear there, "The Ivy-Smothered Palisade."
"Longsleeves" has multiple points of origin, including a prompt by C.S.E. Cooney and an art exhibit by Beverly Semmes. On Twitter, I've called it my #killallmen story. If that doesn't pique your curiosity, let me toss in an actual assessment I received in a rejection: "It embodies some fairly angry, violent feminism, which will piss people off." I dunno that I can truly cop to that as conscious intent, but it will sure be delightful if it happens.
And today, Scott Gable with Broken Eye Books (I'm having good luck with Scotts this year) formally accepted my new Lovecraftian short story "Drift from the Windrows" to the upcoming anthology Tomorrow's Cthulhu. Authors were asked to combine the Mythos with near-future takes on science. I took inspiration from research Anita once did into the malignant aspects of lateral gene transference in genetically modified plants. GMOs were just made for Lovecraft, don't you think?
You can pre-order copies of Tomorrow's Cthulhu here.
Back to Editorland. Whew!