I'm very pleased about my final schedule of readings and panels at Readercon
in Boston this weekend. Anita and I look forward to seeing old friends and making new ones.
We'll also have copies of all our books with us (our big push will be for Clockwork Phoenix 5
, and a little bit extra for The Spider Tapestries
, but all the rest will be along, too), in case you want to get one in person and have it signed.
Friday July 08
5:00 PM A Clockwork Phoenix 5 Group Reading. Mike Allen, Rob Cameron, C.S.E. Cooney, Carlos Hernandez, Keffy Kehrli, Barbara Krasnoff, Sonya Taaffe, A.C. Wise. Contributors to the bestselling fifth installment in the critically-acclaimed, boundary-expanding Clockwork Phoenix anthology series read excerpts from their stories.
Saturday July 09
1:00 PM A Reading: Mike Allen. Mike Allen. Mike Allen reads stories and excerpts from his newest collection, THE SPIDER TAPESTRIES. In the words of PUBLISHERS WEEKLY, expect "weird and transgressive" tales that "defy genre and moral expectations."
Sunday July 10
10:00 AM AT Autographs. Mike Allen, Joe Haldeman.
1:00 PM 5 Tanith Lee - A Retrospective. Mike Allen, Gemma Files, Lila Garrott, Theodora Goss (leader), Sonya Taaffe. Tanith Lee authored over 90 novels and 300 short stories, a children's picture book, poems, and television episodes. In 1980, she became the first woman to win the British Fantasy Award best novel award, for her book Death's Master. Yet in 2010, Tanith Lee mentioned she was still writing novels, and consistently publishing short stories, but publishers were not interested in her longer works. Lee's impact on the genres that make up slipstream fiction was significant. What leads a publisher to look at works from an influential, established writer and decide they are not worth the shelf space? How can we keep Lee in print, and in people's minds?